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Memoires vives serie9/13/2023 PST using demand data from Parrot Analytics for Mémoires Vives in Family Drama), using our globally standardized Demand Expressions® metric. United States, which can then be benchmarked against genre averages (e.g. Once all the signals are weighted and combined, the audience demand for Mémoires Vives, for example, can be assessed for a market e.g. Unlike TV ratings, our DemandRank TV rating system ensures that important demand signals are weighted more heavily than others: The more consumer effort required the more importance is attached to each signal. Parrot Analytics' television demand data highlights the global TV content monetization opportunities for Ici Radio-Canada Télé and thousands of TV studios, linear networks, broadcasters, pay TV providers and OTT / SVOD platforms. With the world’s largest TV audience demand dataset, the company currently tracks more than 1.5B daily expressions of demand in 100 languages, not only in the United States, but also in 100+ other markets around the world to reveal the television content that consumers watch (viewership) and give their attention to the most. Parrot Analytics is the leading global content demand analytics company for the multi-platform business of television. Mémoires vives was awarded the 2nd prize at the 12th Luigi Russolo International Competition (Varese, Italy, 1990), and was selected at the 3rd International Rostrum of Electroacoustic Music ( IREM) in Oslo (Norway, 1990).Global TV content analytics for the attention economy Mémoires vives was commissioned by the Événements du neuf and realized with support from the Canada Council ( CCA). It premiered on Maat the Salle Claude-Champagne of the Université de Montréal (Québec), as part of the Événements du neuf C’était concerts series. The current version of Mémoires vives was entirely reworked during the summer of 1989 at the studio of the Faculty of Music of the Université de Montréal. The piece was mostly realized with computerized instruments and exclusively from sound material extracted from requiem. In French, the title also refers to computer random access memory (“mémoire vive”) which is a volatile memory where information is only kept temporarily. I give it a name, imagining that this will be sufficient to claim it as mine… These sounds slip through my fingers to form a coherent suite without - it seems - my participation. But memories are so vivid in me that sometimes I doubt myself. I also integrate here and there, moments for which I pretend to be the author. I then proceed to use my electroacoustic instruments to reinvent the ritual. I had certainly forgotten this, but the images progressively return. … vives (Vivid) - These works are all part of me it is me, in a way, who composed them, in a different time and place. You will recognize their traces throughout the piece, as a form of homage to these individuals whom I don’t know but who talk to me through their music. I have taken a path from the Gregorian Mass of the Dead, Ockeghem, de Lassus, Cererols, Mozart and Berlioz to arrive at Fauré, Ligeti and Chion. The subject itself is demanding and composers have often offered the best of themselves for it. Not so much for the text - to which I do not subscribe - but for a certain spirit, a kind of depth. Mémoires… (memories) - The fascination with requiems.
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